Sculpture "Tree of Joy", bronze
Sculpture "Tree of Joy", bronze
Quick info
limited, 75 copies | numbered | signed | certificate | bronze | patinated | polished | wood | size 65.5 x 38 x 18 cm (h/w/d) | weight 3 kg
Detailed description
Sculpture "Tree of Joy", bronze
The Belgian Freddy De Waele has been working with figurative design for a long time. His expressive sculptures often have something childlike, light and playful. In his "Tree of Joy," he shows happy children climbing a tree and thus refers to the joy of simple things.
Sculpture in fine bronze, patinated and polished with oak base. Hand cast using the Lost-Wax-Process. Limited edition of 75 copies, numbered and signed, with certificate. Size 65.5 x 38 x 18 cm (h/w/d). Weight 3 kg.
Producer: ars mundi Edition Max Büchner GmbH, Bödekerstraße 13, 30161 Hanover, Germany Email: info@arsmundi.de
About Freddy de Waele
The Belgian designer Freddy De Waele taught his craft as a pastry chef and chocolatier for forty years at the Ter Groene Poorte hotel management school in Bruges. To perfect his chocolate creations, he then studied sculpture and drawing for nine years at the Academy of Fine Arts in Bruges. Over the years, he realised that sculpting with chocolate had its limitations, and he sought a new medium. The ideal medium for his designs was bronze. His expressive sculptures often have a childlike, light, and playful quality.
An alloy of copper with other metals (especially with tin) used since ancient times. It is an ideal metal for high-quality artistic castings, capable of enduring for millennia.
When casting bronze, the artist usually applies the lost-wax technique which is dating back more than 5000 years. This is the best, but also the most complex method of producing sculptures.
First, the artist forms a model of their work. This model is embedded in a liquid silicone rubber mass. Once the material has solidified, the model is cut out, leaving a negative mould. Liquid wax is then poured into the negative mould. After cooling down, the wax cast is removed from the mould, provided with sprues and dipped into ceramic mass. The ceramic mass is hardened in a kiln, where the wax melts away (lost mould).
Finally, the negative mould is ready, into which the 1400° C hot molten bronze is poured. After the bronze had cooled down, the ceramic shell is broken apart, reavoling the sculpture.
Next, the sprues are removed, the surfaces are polished, patinated and numbered by the artist or by a specialist, following their instructions. Thus, each casting is an original work.
For lower-quality bronze castings, the sand casting method is often used, which, however, does not achieve the results of a more elaborate lost-wax technique in terms of surface characteristics and quality.
Term for an art object (sculpture, installation) that, according to the artist’s intention, is produced in multiple copies within a limited and numbered edition.
Multiples enable the "democratization" of art by making the work accessible and affordable for a wider audience.
A plastic work of sculptural art made of wood, stone, ivory, bronze or other metals.
While sculptures made of wood, ivory, or stone are carved directly from the material block, in bronze casting, a working model is prepared at first. Usually, it is made of clay or other easily mouldable materials.
The prime time of sculpture after the Greek and Roman antiquity was the Renaissance. Impressionism gave a new impulse to the sculptural arts. Contemporary artists such as Jorg Immendorf, Andora, and Markus Lupertz also enriched sculptures with outstanding works.