Sculpture "A Couple", bronze
Sculpture "A Couple", bronze
Quick info
limited, 33 copies | numbered | signed | bronze | chiselled | polished | patinated | size 40 x 35 x 13 cm (h/w/d) | weight approx. 10.2 kg
Detailed description
Sculpture "A Couple", bronze
Sculpture in fine bronze, cast using the Lost-Wax-Process, chiselled by hand, polished and patinated. Limited edition of 33 copies, numbered, signed. Size 40 x 35 x 13 cm (h/w/d). Weight approx. 10.2 kg.
Producer: ars mundi Edition Max Büchner GmbH, Bödekerstraße 13, 30161 Hanover, Germany Email: info@arsmundi.de
About Manfred Reinhart
Antiquity meets abstraction: German sculptor Manfred Reinhart combines traditional figurative art with contemporary sculpture in his work. Often, he allows human body forms to intersect with geometric elements and abstract structures within the same sculpture. In this way, he expresses states of transformation in his objects.
Manfred Reinhart, born in 1964, works as a freelance artist in Rauhenebrach, Franconia. After completing an apprenticeship as a stone sculptor, he pursued studies in sculpture at the prestigious "Accademia di Belle Arti di Carrara" in Italy.
His work includes stone and bronze figures, which he has already presented in numerous solo and group exhibitions throughout Europe. Additionally, he has created several commissioned works for public spaces, such as the marketplace fountain in Gerolzhofen, in Bavaria, or a sandstone sculpture for the thermal bath Obermain near Bad Staffelstein. In addition to his work in the studio, Reinhart regularly participates in international sculpture symposiums and works as a lecturer in portrait sculpture.
An alloy of copper with other metals (especially with tin) used since ancient times. It is an ideal metal for high-quality artistic castings, capable of enduring for millennia.
When casting bronze, the artist usually applies the lost-wax technique which is dating back more than 5000 years. This is the best, but also the most complex method of producing sculptures.
First, the artist forms a model of their work. This model is embedded in a liquid silicone rubber mass. Once the material has solidified, the model is cut out, leaving a negative mould. Liquid wax is then poured into the negative mould. After cooling down, the wax cast is removed from the mould, provided with sprues and dipped into ceramic mass. The ceramic mass is hardened in a kiln, where the wax melts away (lost mould).
Finally, the negative mould is ready, into which the 1400° C hot molten bronze is poured. After the bronze had cooled down, the ceramic shell is broken apart, reavoling the sculpture.
Next, the sprues are removed, the surfaces are polished, patinated and numbered by the artist or by a specialist, following their instructions. Thus, each casting is an original work.
For lower-quality bronze castings, the sand casting method is often used, which, however, does not achieve the results of a more elaborate lost-wax technique in terms of surface characteristics and quality.
Term for an art object (sculpture, installation) that, according to the artist’s intention, is produced in multiple copies within a limited and numbered edition.
Multiples enable the "democratization" of art by making the work accessible and affordable for a wider audience.
A plastic work of sculptural art made of wood, stone, ivory, bronze or other metals.
While sculptures made of wood, ivory, or stone are carved directly from the material block, in bronze casting, a working model is prepared at first. Usually, it is made of clay or other easily mouldable materials.
The prime time of sculpture after the Greek and Roman antiquity was the Renaissance. Impressionism gave a new impulse to the sculptural arts. Contemporary artists such as Jorg Immendorf, Andora, and Markus Lupertz also enriched sculptures with outstanding works.