Picture "The Small Arm of the Seine in Autumn" (1890), framed
Picture "The Small Arm of the Seine in Autumn" (1890), framed
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ars mundi Exclusive Edition | limited, 980 copies | numbered | signed | certificate | reproduction, Giclée print on canvas | on stretcher frame | framed | size 67 x 57 cm (h/w)
Detailed description
Picture "The Small Arm of the Seine in Autumn" (1890), framed
Original: 1890, oil on canvas, 65.2 x 54 cm, permanent loan from the Fondation Corboud, Wallraf-Richartz-Museum, Cologne.
Edition transferred directly onto artist's canvas using the Fine Art Giclée process and stretched onto a stretcher frame. Limited edition of 980 copies, numbered and signed, with certificate. Framed in a handmade, black and golden solid wood frame. Size 67 x 57 cm (h/w). ars mundi Exclusive Edition.
Producer: ars mundi Edition Max Büchner GmbH, Bödekerstraße 13, 30161 Hanover, Germany Email: info@arsmundi.de
About Gustave Caillebotte
1848-1894
Gustave Caillebotte, born on August 19, 1848, in Paris, was known for his unconventional perspectives and compositions. The wealthy engineer had only studied for a brief period at the École des Beaux-Arts and preferred to learn from his artist friends. As a great patron of the Impressionists, he was particularly connected by his friendship with Monet and Renoir. Initially, his work focused on depicting working people. But the engineer was particularly fascinated by modern technology, and so he became a painter of the rapidly changing modern world.
Caillebotte's paintings, heavily influenced by photography, often feature backlighting. The daring details and the often-unbiased approach to a subject draw the viewer directly into the picture.
He helped his artist friends overcome their distress by buying their pictures so that when he died on February 21, 1894, he possessed 67 Impressionist paintings at his country estate in Petit Gennevilliers near Paris. He bequeathed these works to the Louvre.
Graphic or sculpture edition that was initiated by ars mundi and is available only at ars mundi or at distribution partners licensed by ars mundi.
Giclée = derived from the French verb gicler "to squirt, to spray".
The Giclée method is a digital printing process. It is a high-resolution, large-format print produced with an inkjet printer using special different-coloured dye- or pigment-based inks (usually six to twelve). The inks are lightfast, meaning they are resistant to harmful UV light. They provide a high level of nuance, contrast, and saturation.
The Giclée process is suitable for art canvases, handmade paper and watercolour paper as well as silk.
The style of Impressionism, which emerged in French painting around 1870, owes its name to Claude Monet's landscape 'Impression, Soleil Levant'. After initial rejection, it began a veritable triumphal procession.
Painters such as Claude Monet, Edgar Degas, Edouard Manet, Auguste Renoir and others created motifs from everyday life, urban and landscape scenes in bright, natural light.
Impressionism can be seen as a reaction to academic painting. Rather than emphasizing content with a structured composition, it focused on the subject as it appears in the moment, often in a seemingly random snapshot. The reality was seen in all its variety of colours in natural lighting. Outdoor painting replaced studio painting.
Through the brightening of the palette and the dissolution of firm contours, a new approach to colour emerged. In many cases, the colours were no longer mixed on the palette but placed side by side on the canvas, so that the final impression emerged in the eye of the viewer with a certain distance. In "Pointillism", (with painters such as Georges Seurat or Paul Signac), this principle was taken to the extreme.
Outside France, Impressionism was taken up by painters such as Max Slevogt, Max Liebermann and Lovis Corinth in Germany, and by James A. M. Whistler in the United States.
However, Impressionism was only expressed to a limited extent in the art of sculpture. In the works of Auguste Rodin, who is considered one of the main representatives, a dissolution of surfaces is evident, in which the play of light and shadow is included in the artistic expression. Degas and Renoir created sculptures as well.