Picture "Nature morte aux fruits" (around 1955)
Picture "Nature morte aux fruits" (around 1955)
Quick info
limited, 250 copies | numbered | signed | coloured collotype on paper | framed | size 57 x 99 cm
Detailed description
Picture "Nature morte aux fruits" (around 1955)
A theme that Georges Braque explored in both his paintings and his prints from 1929 onwards - particularly after World War II until his death in 1963 - was the subject of the still life. The Baroque artists, in particular, created opulent still lifes that were intended to visualise the transience of life, establishing this genre in the visual arts. The work on offer here, "Nature morte aux fruits" from the 1950s, testifies to Braque's deep engagement with one of the most traditional pictorial genres.
Coloured collotype and pochoir, ca. 1955. 250 copies on wove paper, numbered and signed. Motif size 29 x 73 cm. Sheet size 40.5 x 80.5 cm. Size in frame 57 x 99 cm as shown.
Producer: ars mundi Edition Max Büchner GmbH, Bödekerstraße 13, 30161 Hanover, Germany Email: info@arsmundi.de
About Georges Braque
1882-1963
Georges Braque, the revolutionary of modern art and a classic figure of French art, left behind a magnificent oeuvre of prints: around 300 etchings, copperplate engravings, lithographs, and book illustrations. His life's work bears witness not only to an extraordinary joy in experimentation but also to a highly idiosyncratic pictorial imagination and creative power.
Braque stated the following essential observation: "We must be content with discovery and renounce explaining. There is only one valuable thing in art: the thing you cannot explain. A work that does not have a magical effect is not a work of art."
Before the First World War, Cubism emerged in 1908 in France, with its founding fathers being Georges Braque, who was born in Argenteuil, Val-d'Oise on May 13, 1882, and his friend and companion Pablo Picasso. Returning from the war, however, Braque pursued different artistic paths from Picasso, which in turn linked him to Henri Laurens and Juan Gris.
The guitar, vases and tables were central motifs in the Cubist paintings. The pure colours that still dominated his early fauvist landscape paintings subside to a grey-brown colour palette. As an antithesis to Cubism, Braque developed the collages, creating a new pictorial reality with scraps of wallpaper and newspaper clippings. This was followed by landscapes again in the 1930s, which, however, bear witness to a still-life-like structure. From 1938 onwards, the traditional theme of the studio became important to the artist, enriched by the motif of birds with a mystical component.
In the last years of his life, the artist presented himself not only as a painter and sculptor but also as a jewellery designer. His "Bijou Braque" combined the art of jewellery with the aspiration of the artist. He incorporated Greek motifs into over 100 designs. A dozen of them were even purchased by France. His art was so highly regarded that, in 1961, he became the first artist to have an exhibition dedicated to him in the Louvre during his lifetime. When Braque died on August 31, 1963, in Paris, the French Minister of Culture, André Malraux, made his status clear once again: "He is at home in the Louvre with the same right as the Angel of Reims in his cathedral."
The overlaps and saturations in Braque's works do not appear intensely spatial but are an integral part of the picture plane. This is why his paintings appear aesthetic and sensitive. His works "activate" the sense of seeing, and the pictorial impression is always ambiguous. The motifs are dissolved into colourful and formal structures. The form has autonomy and, at the same time, is integrated into larger constellations. All major museums exhibit his work in prominent positions.
The field of graphic arts, that includes artistic representations, which are reproduced by various printing techniques.
Printmaking techniques include woodcuts, copperplate engraving, etching, lithography, serigraphy, among others.