Picture "Monaco - Le Port I" (2019) (Original / Unique piece), framed
Picture "Monaco - Le Port I" (2019) (Original / Unique piece), framed
Quick info
original | signed | acrylic on paper | framed | passe-partout | glazed | size 42 x 52 cm (h/w)
Detailed description
Picture "Monaco - Le Port I" (2019) (Original / Unique piece), framed
Original 2019, signed. Acrylic on paper. Framed in a light solid wood frame with bevel cut passe-partout, glazed. Size 42 x 52 cm (h/w).
Producer: ars mundi Edition Max Büchner GmbH, Bödekerstraße 13, 30161 Hanover, Germany Email: info@arsmundi.de
About Türda Ugurel
"Capturing and holding on to motifs while creating a special atmosphere through slight abstraction – that's how I create my paintings. The unique light of the Côte d'Azur, which makes the colours glow, always inspires me to paint. I want to capture the seaside atmosphere and the beautiful coastlines with their marinas, with the charming villages and their picturesque alleys in my paintings while they are still beautiful to admire."
Türda Ugurel was born in Istanbul and has lived in Germany since 1960. Ugurel studied architecture at the TU Berlin and the TH Hannover. He also studied painting at the Akademie der Künste in Berlin. Since 1982, the artist lives and works in Neuss/Rhine and in Nice on the Côte d'Azur.
A one-of-a-kind or unique piece is a work of art personally created by the artist. It exists only once due to the type of production (oil painting, watercolour, drawing, lost-wax sculpture etc.).
In addition to the classic unique pieces, there are also the so-called "serial unique pieces". They present a series of works with the same colour, motif and technique, manually prepared by the same artist. The serial unique pieces are rooted in "serial art", a genre of modern art that aims to create an aesthetic effect through series, repetitions, and variations of the same objects or themes or a system of constant and variable elements or principles.
The historical starting point is considered to be Claude Monet's "Les Meules" (1890/1891), where, for the first time, a series was created that went beyond a mere group of works. The other artists, who addressed to the serial art, include Claude Monet, Piet Mondrian and above all Gerhard Richter.