Picture "Don Quijote" (1868/70), framed
Picture "Don Quijote" (1868/70), framed
Quick info
ars mundi Exclusive Edition | limited, 980 copies | reproduction on canvas | on stretcher frame | framed | size approx. 68.5 x 48.5 cm (h/w)
Detailed description
Picture "Don Quijote" (1868/70), framed
Original: 1868/70, oil on canvas, 52.2 x 32.8 cm, Munich, Neue Pinakothek.
High-quality edition on canvas, stretched on stretcher frame. Limited edition of 980 copies. Framed in black and silver solid wood frame. Size approx. 68.5 x 48.5 cm (h/w). ars mundi Exclusive Edition.
Producer: ars mundi Edition Max Büchner GmbH, Bödekerstraße 13, 30161 Hanover, Germany Email: info@arsmundi.de
About Honoré Daumier
1808-1879
Honoré Daumier was France's greatest caricaturist. With great humour, he portrayed political maladjustment and the narrow-minded middle class of Paris. He drew thousands of lithographs for the social-satirical daily newspaper "Le Charivari". He was political censored several times throughout his whole life. The publication of his caricatures of the "Bourgeois King" Louis-Philipe in 1830 even got him sentenced to six months in prison.
For a brief period only after the revolution of 1848 was he allowed to direct his satirical arrows at politics again. It was during this time that he created the immortal characters "Robert Macaire" and "Patapoil".
Graphic or sculpture edition that was initiated by ars mundi and is available only at ars mundi or at distribution partners licensed by ars mundi.
A 19th-century trend of painting originated in France. Gustave Courbet was regarded as the initiator of the realist movement.
In Germany, Wilhelm Leibl and Hans Thoma, among others, were very enthusiastic about this style, which dealt with reality in a realistic way. In the 20th century, therewere recurring realist tendencies, such as Nouveau Réalisme, with artists like Arman and Jean Tinguely and the movement New Objectivity. In the 1960s, new forms of Realism emerged.
American Realism was founded by a group of eight painters of the Ashcan School. They were later joined by Edward Hopper, who became famous for his typically American motifs, depictions of people in architectural or landscape settings in static, actionless situations.