Picture " Congenial Encounter III" (1991) (Unique piece)
Picture " Congenial Encounter III" (1991) (Unique piece)
Quick info
unique piece | signed | dated | aquarelle on paper | framed | size 100 x 71 cm
Detailed description
Picture " Congenial Encounter III" (1991) (Unique piece)
Watercolour on paper, 1991. Signed and dated. Motif size/sheet size 80 x 52 cm. Size in frame 100 x 71 cm as shown.
Producer: ars mundi Edition Max Büchner GmbH, Bödekerstraße 13, 30161 Hanover, Germany Email: info@arsmundi.de
About Siegward Sprotte
1913-2004
The painter, author, philosopher and composer Siegward Sprotte became known for his highly abstracted depictions of landscapes. He spontaneously reduced what he saw with colourful brushstrokes that had calligraphic quality.
The artist found inspiration above all in Kampen on the island of Sylt, where he lived for a while. He says about his several trips to Italy: "In the north, I encountered colour, and in the south, I learned structure." Sprotte acquaintance with many great artists throughout his life, including Erich Heckel, Karl Schmidt-Rottluff, Hans Purrmann and Emil Nolde, left their mark on his work.
The artist received numerous awards. In 1970, the International Academy of Literature, Arts and Sciences in Rome appointed him an honorary member. Sprotte's works are represented in major museums worldwide, including the Museum of Modern Art in San Francisco and the Pushkin Museum in Moscow.
Painting with glazing watercolours, that are characterised by their transparency, which let deeper layers and painting surfaces shine through.
Often the paper surface is omitted. This contributes significantly to the effect of the work. The aquarelle or watercolour painting requires skilful use of colour, as it dries quickly and corrections are almost impossible.
A one-of-a-kind or unique piece is a work of art personally created by the artist. It exists only once due to the type of production (oil painting, watercolour, drawing, lost-wax sculpture etc.).
In addition to the classic unique pieces, there are also the so-called "serial unique pieces". They present a series of works with the same colour, motif and technique, manually prepared by the same artist. The serial unique pieces are rooted in "serial art", a genre of modern art that aims to create an aesthetic effect through series, repetitions, and variations of the same objects or themes or a system of constant and variable elements or principles.
The historical starting point is considered to be Claude Monet's "Les Meules" (1890/1891), where, for the first time, a series was created that went beyond a mere group of works. The other artists, who addressed to the serial art, include Claude Monet, Piet Mondrian and above all Gerhard Richter.